limited edition of 250 numbered copies on translucent 7 inch vinyl. originally recorded and released in 1993.

vin sol & matrixxman return with their second double-header of remixes of one of the most distinctive voices in modern music, revisiting two of the hallowed songstress classics from the 80s. first up is the beautiful *never thought* which has been given the remix treatment many times before due to the accapella being on the original 12 inch. here vs & m add early 90s house flourishes - warm pads, deep chords and the original vocal seeping in and out of the mix, whilst elements slowly start to build up for what is a pretty ecstatic house rework of a classic. simple and effective. fans of innervisions wont be disappointed! on the flip, *love is stronger* is a mellower take on one of her signature hits. sticking to a cool 110 bpm tempo, it has got a bubbly, woozy late sunday afternoon vibe emanating from the first 4 bars. another solid rework from the vin sol & matrixxman camp!

after a huge remix for psychemagik (black noir schwarz), crosstown rebels prepares to release the highly anticipated next full ep from tom dinsdales fast rising solo alias, mineo. already getting a monster reaction on dancefloors, as damian lazarus will attest, get out fight displays mineos distinctively uk sound and idiosyncratic, patchwork production style. a 4-tracker that ranges from the punky attitude, wonky percussion and deep, growling grooves and vocal licks of get out fight to the hints of ska in madness-sampled killer (rude boy) and the slinky garage, rnb-spliced edge of soaking wet and low-slung ride dont know my name - this is a killer package, and statement of very creative intent

um den record store day 2014 zu feiern, präsentiert bbe zwei vorher unreleaste juwelen, geremixt von glasgows antwort auf walter gibbons, al kent. *when did you stop* von the js wurde sträflicherweise übersehen nach dem eigetnlichen release 1977 - mit ausnahme einiger dancefloors im norden englands. gleichzeitig war sandy barbers *i think i ll do some stepping on my own* ein großer hit, der allerdings keinen großartigen kommerziellen erfolg verbuchen konnte.

vincenzo returns to dessous recordings with something a little special. merry go round features the stunning vocal talents of language aka kaori kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else.

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

as we launch into a brand new year we also celebrate 10 years of salted with a bang! for our first release of 2014, migs lets loose with this tasty little morsel of goodness - already test driven all around the globe to many smiling faces and trainspotting reactions. an upfront stellar and punchy bassline is the star of the show with warm glowing synth pads and rubbery stabs to keep things bouncing. the classic chopped up vocal sample filters in while glittering strings entice the senses for an all around dance floor delicacy.

raw electro horror disco by the flamboyant chief of giallo! two vocal tracks, one club version of the title track and a more slow paced instrumental track to serve everybodys needs. limited supplies!

in certain times special things reoccur. raydilla returns to his warm pulp home with a balanced 4-track ep. the title track the feeling is that signature raydilla sound that combines nice thick drums with a grooving bassline and some moody chords nicely sitting on top. the vocal sample comes in sporadically to finish it off.
this is a vinyl only release.

chicagos own drops this ep with 4 sample-based house groovers. the title cut is a melodic and jazzy groover, by the way u dance is an uptempo peak time vocal party starter, on the flip i can count on you is a slow soul cut with a classic vocal sample & micolynn (with love) wraps it up.

limited edition off 300 copies with hand screen printed cardboard inlay.
after travelling through the far flung galaxy for 002 ... forgotten corner aka phil banks & nick mackrory come back to planet earth & keep everything in house for their third label release. side a is kind of a track of two halves written and produced by nick mackrory - consisting of a 2 minute samba driven vocal intro, full of live instrumentation and featuring the live vocals of harry collier, before breaking down in to a deep hypnotic slow motion arpeggiated electronic groove! side b takes things back down in to the dark basements ... amongst the smoke machines, strobes & cans of warm red stripe! where phil adds his touch ... losing the live intro and taking things on a much more deep electronic instrumental bass wobble work out! still keeping the arpeggiated moog but with tougher beats and a much dirtier feel.

super limited white label mix of this kenny dope burner that is already packing heat to floors worldwide. this has even more classic vocal samples thrown in to add more fuel to the fire

stompin at the savoy – live (1983) was a major commercial success for rufus and chaka khan, reaching #4 on billboards r&b albums charts. this double-record set features three sides of live material recorded over multiple dates at the savoy theatre in new york. the band stunned packed audiences with an energetic set of old favorites and new material, such as *tell me something good*, *you got the love*, *sweet thing*, *at midnight (my love will lift you up)*, and *do you love what you feel* as well as *what cha gonna do for me* from khans 1981 solo album of the same name. the d-side includes four new studio recordings of which two were released as singles, *aint nobody* and *one million kisses*. *aint nobody* became rufus final #1 r&b hit and won them a grammy award for best r&b performance by a duo or group with vocal in 1984. the song was featured in the movie breakin and its soundtrack.
pressing on audiophile 180 gram vinyl, housed in gatefold sleeve.

hot natured release two remix 12 inches of tracks from their acclaimed album *different sides of the sun*. part one kicks off with a remix of *benediction* from the rapidly emerging uk house producer lxury. anticipation is building after annie mac premiered the lxury remix of *benediction* on radio one. lxury is the producer behind *we do* and *j.a.w.s.*, which were both released on disclosures method records. also on the a side is edu imbernons superb remix of emerald city. he darkens the tone of the original and drives it head long onto the dance floor! on the flip and eats everything ups the acid count and squelches alternate state into a state of dancefloor pandemonium. whilst hrdvsion spins it out, cutting the vocal up to excellent effect, and then jacking the groove.

next up on crazylegs, two fiendishly addictive garage cuts - and the first vocal material on our label - from a young veteran of the uk underground, wolverhamptons trc. one of the key players in the late-2000s bassline scene and more recently a prolific grime producer, trcs crazylegs debut sees him on dazzling form: crisp 2-step drums, trademark floor-shocker basslines and melodies so catchy you won t get them out of your head for weeks. on the remix front, a real special pairing: the legendary el-b moulds come bring it into a vintage garage banger, while beneath follows up recent tectonic & keysound releases with a hypnotic, sub-fuelled rework of you & me.

after a barnstorming 2013 fat freddys drop are back with two brand new 12 inch singles with re-workings from theo parrish, ashley beedle & darren morris and colleen cosmo murphy & andy yamwho?.
the first of the set features a vocal and an instrumental translation of *mother mother* from theo parrish. the detroit producer and dj delivers a masterful yet twisted, ten-minute-plus re-wiring of fat freddys drops soulful, techno-tinged workout. taken from the new zealands 3rd lp *blackbird*, gilles peterson described the original as an incredible piece of music.

nice price deal !!! fear of flying kick off the new year with the next instalment in their vinyl only series, enlisting the talents of matthew burton & kate rathod. >cyberg< has an atmosphere so thick you can cut it with a knife, a vocoded vocal and haunting pads imbuing the track with a distinct 4am feel. >mr magpie< ups the ante slightly with swung percussion and fx. the lofty kick drum and twinkling synths of >8 minute abs< and the subtle deep houser >hammer top logo feature on the b side. the second disc comprises of >raw moves<, a rough and ready analogue jam and the dawn chorus of >clive< whilst a trio of ambient skits, >analogue systems<, >raw circuits< and >beppe< round things off nicely.

we’re really excited about this unusual ep from the unusually talented photomachine, his first outing on wicked bass. ‘black motorcycle’ a dark but deep number, measuredly working its way down into to a solid groove before it lifts its eyes skyward for a breakdown made up of delicate synthwork. ‘good news…bad dope’ is a more skittish cut, with its percussive elements laying low in the mix, whilst circling synths provide a menacing mood that juxtaposes itself with a well-placed vocal sample.

s.m.a.l.l and oleg poliakov are no strangers to the scene! s.m.a.l.l making his mark on labels catwash, esperanza, monique musique and his own imprint politics of dancing, oleg poliakov setting it off on the sthlmaudio, circus company and bass culture imprints, both combined bring forth that special something to their sound. these two dynamic talents unite as one bringing you this explosive track entitled *munkaroo*. munkaroos driving bass and guitar riffs set off with soulful vocal bits, will definitely enlighten the crowd setting them off to a frenzy! brothers vibe remix quirky samples and deep vibe keep the party groovin steady... a massive release from this dynamic duo!

fontarrians debut effort for berlin-based label antime offers a glimpse into a fragile yet eclectic spectrum consisting of loopy vocal bits, slowly unwinding washes of dream like ambience, distinctively (s)tumbling almost jazzy percussions and an ever-present, blissful warmth. the latter emanates from and sucks you into what seems to be a world of its own. like a lo-fi attempt at capturing momentary twists of the heart through 10 significantly diverse tracks - imperfect nonetheless - the album feels like a mixtape you ve set out to record for someone special, but somehow never got around to.

smoke & mirrors - is a breaky house track with old 70s vocal samples & a heavy sub bass rolling beat. smoke & mirrors (hanfry martinez remix) - rolling bass stabs with that apollonia esk percussion. amazing remix of an already fantastic original.

limited to 300 numbered copies. brand new label out of london town! alex & digby channel vintage perlon vibes on this debut 12 on their flash as a rat imprint. stripped back, rolling numbers with an unforgettable vocal loop on the a-side. these will cause absolute devastation on the summer terraces!

tensnake, love sublime taken from tensnakes upcoming debut album glow, released march 10th, love sublime is a delicious slice of disco pop adorned with the beguiling vocals of fiora and the irresistible and unique guitar riffs of the legendary nile rodgers.

incl. mp3! enigmatic dfa-affiliated producer woolfy, long time friend of future classic, returns with an eclectic and brilliant ep. title track city lights is a joyful, nostalgic summer jam, full of marimbas and woolfys vocal drawl. meanwhile, 17 is pure disco, featuring a mesmerising falsetto that floats around the tracks driving bass line.genius!

steve lees (the project club) above machine label returns with another superb release from acclaimed italian duo almunia their last single for am was a best-seller, and their celebrated output through paul mudd murphys claremont56 label, including the recent pulsar lp has seen the their blissful & uplifting balearic sound win over many a new follower *find my way* is a gorgeous, acoustic guitar led vocal number, conjuring up twilight beach side boogie, balmy breezes and ice cold drinks. marius circus gets to work on the b side, taking the irresistible melodies to a much later, darker dancefloor. laying a foundation of squelchy moog style bass and a toughened up rhythm track before heavily effected guitars sweep across the mix elevating the whole thing to near transcendental heights! a superb release and addition to the above machine catalogue.

people must jam follow up the superb (and instant sell-out!) floor jammers vol. 1 with an absolute surefire jam from mark seven! my caesar is an irresistibly stripped back, melodic and atmospheric workout, consisting of those crisp mark seven rhythm tracks we so love on his parkway rhythm label and a spine-tingling soul vocal sample that pulls the whole thing together perfectly before a weighty & metallic detroit style low end takes us on home. in our humble opinion - it is a future classic!

blunted astronaut is proud to represent the uk once again with none other than the grand imperial cappo, aka iron condor, aka gusto grizwold. hailing from nottingham, cappo is a writer, performer and producer with experience spanning two decades. this, our 20th release, sees the iron condor take flight over some left-field beats by north london recluse and audiophile, dj drinks.
limited to 300 copies with superb packaging courtesy of illustrator snooze and design maverick mr. krum.

growing further out, musical petals reaching out for the ethereal, aiming high! that is where blossom is going, and the next release in glorious vinyl is another firm step towards the establishment of the label. this time it is portuguese veteran mastercris delivering the goods, featuring a killer vocal contribution by the even sensual kathy diamond, one of maurice fultons partners in crime plus remixes from matthias vogt. exclusive white vinyl pressing of the buy on sight sort, dont sleep on this, no digital release is planned so far.

she can reach sees the boys from cologne deliver a thumping tech-house number with an extraordinary male vocal and wonderfully groovy bassline. the remix comes from the label boss himself. marc reworks the original, creating a prime-time smash. the third track on the ep, special, is a strong percussive groover that rounds out the release to perfection

with burn out the bar is raised to a high level - accustomed groovy bassline, nearly perfect selected vocals - smooth headbanging sound. time trip - the expectations have not been disappointed. more deeper and more bass output and an intensivly vocal. with the remastered version from on of the most sold track from paradise city the trip through the ep goes on. jump is like being huckleberry finn rafting on a dreamlike river with surreal surprises. brown sugar makes you move and onother further evidence that is a must have, deep from our hearts

es kommt sicherlich nicht alle tage vor, dass die eigene ehefrau einen track remixed. im fall des brandneuen remixes von simina grigoriu für paul kalkbrenner trifft genau das zu. simina, die seit knapp zwei jahren mit paul kalkbrenner verheiratet ist, nimmt sich hier den track >kleines bubu< aus dem 2011er album >icke wieder< vor und macht aus dem original einen gelungenen tech-house track auf basis des bekannten streicher loops. die exzellent gesetzten vocal samples und die markante discobassline geben dem gut gemachten remix eine weitere eigene individuelle note.

sold out - deleted - jeremy a.k.a. underground paris is a renowned record collector & crate-digger. he is the founder of my love is underground, a vinyl-only label thats been responsible for the revival of the >authentic house groove< in europe recently. also a dj, he travels all over europe every week-end to spread his message!

right in time for the winter music conference the deep house dons from milan, harley & muscle, drop this house love anthem, with legendary house vocalist kenny bobien. stunning remixes come from mr. v of sole channel fame, charles dockings and fellow italians dolls combers!

phil weeks teams up with soldiers of twilight vocalist ladybird on his new track natural high, a deep and soulful house track laden with warm chords and weeks trademark mpc beats. the single comes with three alternate versions – the unplugged version removes the beats and bass providing a tool on which ladybirds vocals shine, the baby dub takes things into heads down territory, and the higher mix reintroduced the vocal.

an explosive caustic acid concoction awaits from within the grooves of this gargantuan twelve inch from chicago heavyweight, hieroglyphic being. free the energy (no vocal energy) is highly volatile, with severely unforgiving and distorted drum programming, this violently radioactive adventure is nothing short of brutal and certainly not for the squeamish. title cut, acid rain under the stars paints a dreamy landscape, while the acidic protons and neutrons busily rebound in the background on this elongated, hypnosis inducing and beautifully mind-distorting headtrip. straight outta nowhere like an atom bomb!

this chicago house single features carla prather on vocals and comes with two remixes (one vocal, one instrumental) from greg gautier on the b-side. additional keyboards from niles best. out on seans own smooth agent records label.

nice price deal, only standard cover !!! wph 021 hails the return of spains nacho marco, who was responsible for wph 010 together with raoul lambert. for his wph comeback our valencia kid has teamed up with the vocal talents of aqeel, bringing you the acidic soul masterpiece *open*. think deetron on a dark day! on remix duty we find young wph buck kiani & his legion who came up with two remix versions. his basement remix will go well info any levon vincent set and his normal version is vintage kiani. that says it all really, vintage kiani, after just 6 tracks officially released. raw belgian talent at its very best!

the central executives what can we say ? not much as it turns out - the generally very forthcoming golf channel crew are remaining tight-lipped about the architects of this, frankly mind-blowing debut long-player from this new nyc collective. a walk in the dark is exactly that, a situationist song-sheet & sonic chaperone to guide us through the back street escapism these troubled times demand. from gently over-driven punk funkin mascara stained hymns, to house that has been thoroughly smudged to the edges of its live music incorporating limits. sitting very comfortably, in a moment of stewed elevation alongside sound signature style machine jams, bare bones vocal led improvisations, discordant arthur russell moments & the distorted reflections of roots house that run to the very core of the big apple. a drop-jaw debut then, that wears its influences proudly, but takes them somewhere entirely new.

booka shade are set to release crossing borders featuring fritz kalkbrenner from their 2013 album eve on embassy one / blaufield music. booka shade first met fritz when he asked them to remix one of his songs, as we are fans of his voice, we thought it would be a great idea if he would sing a vocal for one of our demos for the new album. he came to our studio with the lyrics of crossing borders and within 1 hour, the song was recorded. crossing borders is enriched with acoustic and chilling electronic tones and demonstrates the trials and tribulations of the every day struggle weve got to go on, even if we stray, crossing borders to another side

we have been a fan of motor city drum ensemble since the brooding and eerie >escape to nowhere< in 2007 - a track that sounded like someone had listened to > french kiss< on acid and then tried to recreate what they heard. so when we started re-issuing romanthonys classics with fresh remixes, mcdes danilo plessow was always someone we wanted to on the project. it has taken 2 years to organise this mix and now it is finally here it doesnt disappoint. taking on > trust<, most people would head straight for the vocal but plessow instead eschews that idea for a warm, low slung dub mix reminiscent of muzique tropique and early glasgow underground releases by studio blue. as a more dj-friendly alternative he also delivered a completely instrumental dub mix.

already declared by backdrop as one of the best drum & bass releases you are likely to hear in 2014, ivy labs missing persons ep is nothing short of sublime, a collection of work from sabre, stray and halogenix that will simply take your breath away. featuring their mainstay vocal collaborator frank carter iii on the title track, ivy lab carry us from sumptuous, warm liquid through to acid tinged tech with emperors input and finish with some west coast, lo-riding electro crunk. essential is an understatement..

roots for bloom bring in four new faces for the seventh release. we see label boss jamie trench deliver an edit and remix of daniel curpen - daddy was a thug, and david moran teams up with albert vogt for their track cut loose and then collabs with mark crumbs for tha bassment. the a side sees jamie bring a rolling dub edit to daniels original and then takes things a little darker for the a2 remix. david morans cut loose shows off the vocal talents of albert vogt which grooves along seductively, then tha bassment as expected brings things a little harder and more for those after hour spots.

the 12inch includes comes in a screen printed cover and is limited to 300 copies. disclosed commmunication is the debut ep of mllh. the berlin duo explores with its four tracker the borders between house, techno and bass. the ep offers a various trips through straight and groovy house tracks splattered with offbeat rythms and vocal chops containing strong and persistent chords leading filled with atmospheric breaks. genuine and interesting music. download codes included.

wonderwheel recordings is proud to present the remix 12 inch for alsarah & the nubatones. called the new star of nubian pop by the guardian, the album, silt was produced by alsarah who describes the sound of silt as east african retro pop – it is music that harkens back to the hazy sounds of 1960s and 70s nubian music with its haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
the original song *soukura* a small taste of the upcoming album silt (out on 3/11) gets a signature deep and entrancing ancestral soul remix by african house legend boddhi satva. perennial wonderwheel favorite the spy from cairo gives *nuba noutou* a dubby dancehall re-rub, and label head nickodemus takes *rennat* into late night house territory with his remix, letting only the slightest of vocals come through and build tension until the final moments of the tune.

genial welcomes 2014 with a new release and at the same time a new member in its roster. it is the italy based dj and producer leon who already has an impressive discography on labels like cecille, saved, defected and many many more. on genial he debuts with a track that has caused havoc every single time it got played for the past 6 months in clubs all over the world. king of the jungle takes us back to the past with its old school break beat, while the robot-esque vocal sample brings a flavour from the future. on the remix duties, the label favourite egal 3 provides a deep atmospheric version full of haunting synths and fxs, totally written for those late mornings when you just want to get lost in the music. on the b side, danish producer martinez is taking us to an almost 14 minutes trip with his concealed dub mix, with a deep but very groovy bass and a special arrangement which will keep you going from the start to end.

the eighth release on sccucci manucci sees the imprint pack a hefty eight productions that traverse various house sounds from around the world onto two slabs of handstamped wax. from coeo s bouncy and vocal track through to mella dee s dark and distinctively uk-centric track the label has tried to explore the sheer wealth of production talent on offer at the moment.

a spectrum of sounds from us house & garage to soulful grooves side one track one: louie balo - dont shut me out this track original came out in 1994 & to this date is super rare & hard to find, louie did us a special cut just for the plastik vinyl release. keeps the original groove but adds drums, fx & of course that classic horn. track two: mikki funk - lose my mind . mikki tight production shines through with a classic garage sound combined with soulful elements, tight chords and beautiful use of the vocal - one for the heads for years to come. side two track one: tuff jam & mike sharon - thank you house music. masterpiece of us house & uk garage sound. im sure everyone is already familiar with tuff jams work from the 90’s & his work with matt lamont, this time he teams up with mike sharon who adds his usual touch of quality with his production & deep shuffling drums & driving bassline.. this is a must have track two: marc cotterell - jus dance featuring karl the voice. soulful tip on this one from the label owner. tough us drums with soulful grooves and classic chords. matched by the amazing vocals of karl the voice who has worked with derrek carter & playin 4 the city. beautiful production and sound to round of the ep

200 copies oonly! after amazing last release with a.harris & d.lamar, joss back with original track *mountain castle*. groovy tech house with original melodic line and vocal sample is what you need to get moving people on the dance floor in any club. masterpiece remix from the owner german imprint sender records - benno blome adds warm charm and elegance to this release.

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!